- “Every ant has his day.”
Antz is a 1998 American computer animated adventure comedy film produced by DreamWorks Animation and distributed by DreamWorks Pictures. It features the voices of well-known actors such as Woody Allen, Sharon Stone, Jennifer Lopez, Sylvester Stallone, Dan Aykroyd, Anne Bancroft, Gene Hackman, Christopher Walken, and Danny Glover as various members of an ant society. Some of the main characters share facial similarities with the actors who voice them. Antz is the first animated film, as well as the first CGI-animated film, by DreamWorks Animation and the second feature-length computer-animated film after Disney/Pixar's Toy Story.
The film was a result of a controversial public feud between DreamWorks Animation CEO Jeffrey Katzenberg and Steve Jobs and John Lasseter of Pixar, concerning the parallel productions of this film and Pixar's A Bug's Life. Which only worsened when Disney refused to avoid competition with DreamWorks' intended animated release The Prince of Egypt. The film premiered on September 19, 1998, at the Toronto International Film Festival, and was released theatrically in the United States on October 2, 1998. The film received generally positive reviews from critics, and performed modestly at the box office.
The setting for the story is an ant colony in Central Park in New York City, under the chronological timespan of four days. The protagonist is Z-4195, or "Z" for short, a neurotic and individualistic worker ant living in a wholly totalitarian society who longs for the opportunity to truly express himself. His friends include fellow worker ant Azteca and a soldier ant, Weaver. Z meets Princess Bala at a bar where she goes to escape from her suffocating royal life and falls in love with her.
In order to see Bala again, Z exchanges places with Weaver and joins the army. He marches with the ranks, befriending a staff sergeant named Barbatus in the process. He doesn't realise that the army's leader and Bala's fiance, General Mandible, is secretly sending all the soldiers loyal to the Queen to die so he can begin to build a colony filled with powerful ants. At the base of the tree near nightfall, Z realizes he's marching into battle, and all of the soldiers except for Z are killed by the acid-shooting termites. Following the battle, all Z can find of Barbatus is his head. Before he dies, Barbatus tells Z to think for himself rather than follow orders all his life, leaving Z saddened and depressed. Z returns home and is hailed as a war hero, even though he did not do anything and was traumatized by the fighting. He was also congratulated personally by the secretly irate General Mandible, and is brought before the Queen. There he meets Princess Bala, who eventually recognizes him as a worker. When Z finds that he has been cornered in a lie, he panics and pretends to take Princess Bala "hostage" in order to trick the queen's guards into letting him leave rather than imprison him. They escape the colony and hide, and Z begins searching for the legendary Insectopia.
Word of the incident quickly spreads through the colony, whereupon Z's act of individually sparks a resolution in the workers and, possibly, a few soldier ants as well. As a result, productivity grinds to a halt. Seeing an opportunity to gain control, General Mandible begins to publicly portray Z as a war criminal who cares only about himself. Mandible then promotes the glory of conformity and promises them a better life, which he claims to be the reward of completing a "Mega Tunnel" planned by himself. Mandible learns Z is looking for Insectopia after interrogating Weaver. Knowing full well of the plane's existence, Mandible sends his second-in-command, Colonel Cutter, to its location to retrieve the Princess and possibly kill Z. Cutter, however, slowly begins to have second thoughts about Mandible's plans and agenda and develops sympathy for the worker ants.
Z and Bala, after a misdirection and a brief seperation, finally found Insectopia, which consists of a human waste-bin overfilled with decaying food (a treat for insects of all kinds). Here, Bala begins to reciprocate Z's feelings. However, during a break, Cutter arrives and flies Bala back to the colony against her will. Z finds them gone and makes his way to rescue Bala, aided by a wasp named Chip, whom he met earlier and has made himself drunk grieving over the loss of his swatted wife, Muffy. Z arrives at the colony, where he finds that Bala has been held captive in General Mandible's office. After rescuing her, he learns that General Mandible's "Mega Tunnel" leads straight to a body of water (the puddle next to Insectopia), which Mandible will use to drown the queen and the workers who have gathered at the opening ceremony. Bala goes to warn the workers and her mother at the ceremony, while Z goes to the tunnel exit to stop the workers from digging any further. He fails, however, and the water leaks in. Z and Bala unify the workers into a single working unit and build a towering ladder of ants toward the surface as the water continues to rise.
Meanwhile, General Mandible and his soldiers are gathered at the surface, where he explains to them a vision of a new colony with none of the "weak elements of the colony". He is interupted, however, when the workers successfully claw their way to the surface and break through. Mandible angrily tries to kill Z but is stopped by Cutter, who finally rebels against Mandible and instead tries to help Z and the worker ants out of the hole "for the good of the colony." The enraged Mandible charges toward Cutter, who is, however, pushed away by Z at the last moment. Mandible inadvertently takes Z with him back down into the flooded colony, and is killed when he lands upon a root while Z falls into the water. Cutter, taking charge, orders the other soldier ants to help the workers and the queen onto the surface while he himself rescues Z. Although it seems that Z has drowned, Bala successfully resuscitates him. Z is lauded for his heroism and marries Bala. Together they rebuild the colony with Cutter as their General, transforming the colony from a conformist military state into a community that values each and every one of its members.
- Woody Allen as Z-4195 ("Z")
- Gene Hackman as General Mandible
- Sharon Stone as Princess Bala
- Sylvester Stallone as Corporal Weaver
- Jennifer Lopez as Azteca
- Christopher Walken as Colonel Cutter
- Anne Bancroft as The Queen Ant
- Dan Aykroyd as Chip the Wasp
- Grant Shaud as The Foreman
- Danny Glover as Staff Sergeant Barbatus
- John Mahoney as Grebs
- Jane Curtin as Muffin ("Muffy") the Wasp
- Paul Mazursky as Z's psychiatrist
- Frank Welker and Charile Skanker as Termites
The cast features several actors from movies Allen wrote, starred in and directed, including Stone (Starlight Memories), Stallone (Bananas), Hackman (Another Woman), and Walken (Annie Hall). Aykroyd later co-starred in Allen's The Curse of the Jade Scorpion.
In 1988, Disney was pitched to develop a movie called Army Ants, about a pacifist worker ant teaching lessons of independent thinking to his militaristic colony. Years later, Jeffrey Katzenberg, then chairman of Disney's film division, left the company in a feud with CEO Michael Eisner over the vacant president position after the death of Frank Wells. Jeffrey formed DreamWorks SKG with Steven Spielberg and David Geffen and planned to rival Disney with the company's new animation division. Katzenberg suggested undeveloped concepts to DreamWorks he suggested or was involved with while he was at Disney, including an animated adaptation of The Ten Commandments, a collaboration with Aardman Animations, and presumably Army Ants.
Production began in May 1996 after production commenced on The Prince of Egypt. DreamWorks had acquired Pacific Data Images in Paula Alto, California to begin working on computer-animated films to rival Pixar Animation Studios' features. Much of Woody Allen's trademark humor is present within the film. Allen himself made some uncredited rewrites to the script, to make the dialogue better fit his style of comedic timing. An altered line from one of his early directed films, Everyone You Want to Know About Sex* (*But Were Afraid to Ask) was included - "I was going to include you in my erotic fantasies..."
Feud between DreamWorks and Pixar
After DreamWorks' acquisition of PDI, Pixar director John Lasseter, Steve Jobs, and others at Pixar where dismayed to learn from the trade papers that PDI's first project at DreamWorks would be another ant film, to be called Antz. By this time, Pixar's project, then similarly called Bugs, was well-known within the animation community. In general, both Antz and A Bug's Life center on a young male, a drone with oddball tendencies who struggles to win a princess's hand by saving their society. Lasseter and Jobs believed that the idea was stolen by Katzenberg. Katzenberg had stayed in touch with Lasseter after the acrimonious Disney split, often calling to check up. In October 1995, when Lasseter was overseeing postproduction work on Toy Story on the Universal lot's Technicolor facility in Universal City, where DreamWorks was also located, Lasseter and Andrew Stanton visited Katzenberg and they discussed their plans for Bugs in detail. Lasseter had high hopes for Toy Story, and he was telling friends throughout the tight-knit computer-animation business to get cracking on their own films. "If this hits, it's going to be like space movies after Star Wars" for computer-animation companies, he told various friends. "I should have have been wary," Lasseter later recalled. "Jeffrey kept asking questions about when it would be released."
When the trades indicated production on Antz, Lasseter, feeling betrayed, called Katzenberg and asked him bluntly if it were true, Katzenberg confirming it. Katzenberg recalled Antz came from a 1991 story pitch by Tim Johnson that was related to Katzenberg in October 1994. Another source gives Nina Jacobson, one of Katzenberg's executives, as the person responsible for Antz pitch. Lasseter would not believe Katzenberg's story and called "bulls**t". Lasseter recalled that Katzenberg began explaining that Disney was "out to get him" and he realized that he was just a cannon fodder in Katzenberg's fight with Disney. In truth, Katzenberg was the victim of a conspiracy: Eisner has decided not to pay him his contract-required bonus, convincing Disney's board not to give him anything. Lasseter grimly relayed the news of Antz to Pixar employees but kept morale high. Privately, Lasseter told other Pixar executives that he and Stanton felt terribly let down.
Competition with Disney
At that time, the current Disney studio executives were starting a bitter competitive rivalry with Jeffrey Katzenberg and his new DreamWorks' films. In 1995, Katzenberg announced The Prince of Egypt to debut in November 1998 as DreamWorks' first animated release. A year later, Disney scheduled Bugs to open on the same week, which the news infuriated Katzenberg. Katzenberg invited Disney executives to DreamWorks to negotiate a release date change for Bugs, to which Disney kept the date unchanged. DreamWorks pushed Prince of Egypt to the Christmas season and the studio planned to not begin full marketing for Antz before their planned first film. Disney afterward announced release dates for films that were going to compete with Egypt. Katzenberg suddenly moved the opening of Antz from March 1999 to October 1998 to compete with Pixar's release.
David Price writes in his 2008 book The Pixar Touch that a rumor "never confirmed", was that Katzenberg had given PDI "rich financial incentives to induce them to whatever it would take to have Antz ready first, despite Pixar's head start". The movie, if confirmed, added greatly to the final budget of the film. Jobs furiously called Katzenberg, during the call he explained to Katzenberg that there was nothing he could do to convince Disney to change the date. Katzenberg said to him that Jobs himself had taught him how to conduct similar business long ago, explaining that Jobs had come to Pixar's rescue from near bankruptcy by making the deal for Toy Story with Disney. He suggested that Jobs had enough power with Disney to convince them to change specific plans on their films. Lasseter also claimed Katzenberg had phoned him with a final proposition to delay Antz if Disney and Pixar changed the date of Bug's Life, but Katzenberg denied this later. Jobs believed it was "a blatant extortion attempt".
Release, fallout and comparisons
As the release dates for both films approached, Disney executives concluded that Pixar should keep quiet on Antz and the feud concerning DreamWorks. Regardless, Lasseter publicly dismissed Antz as "a schlock version" of A Bug's Life. Lasseter, who claimed to have never seen Antz, told others that if DreamWorks and PDI had made the film about anything other than insects, he would have closed Pixar for the day so that the entire company could go see it. Jobs and Katzenberg would not back down and the rivaling ants films provoked a press frenzy. "The bad guys rarely win," Jobs told the Los Angeles Times. In response, DreamWorks' head of marketing Terry Press suggested, "Steve Jobs should take a pill." Tensions would remain high between Jobs and Katzenberg for many years after the release of both films. According to Jobs, years later Katzenberg came to him after the opening of Shrek. He insisted that he had never heard the pitch for A Bug's Life, reasoning that his settlement with Disney would have given him a share of the profits of that would so. In the end, Pixar and PDI employees kept up the old friendships that had arisen from working in computer animation for years before feature films.
The final product of both films are generally perceived to contrast one another in tone and certain point plots. Antz in the end seemed to be more geared toward teenagers and adults, featuring moderate violence and death, mild sexual humor, as well as social and political satire. A Bug's Life was more family-friendly and lighthearted in tone and story. In design they too share noticeable differences, Antz played off real aspects of ants and how they relate to other bugs, like termites and bees, while Bug's Life offered a more fanciful look at insects to better suit its story. PopMatters journalist J.C. Macek III compared the two films and wrote, "The feud deepened with both teams making accusations and excuses and a release date war ensued. While Antz beat A Bug's Life to the big screen by two months, the latter film significantly out grossed its predecessor. Rip off or not, Antz's critical response has to be proven almost as positive as what A Bug's Life has enjoyed.
In 1997, a teaser trailer for Antz, depicting the opening scene with Z in the ant psychiatrist office, first played in theaters in front of select prints of As Good as It Gets. Anticipation was generally high with adult moviegoers rather than families and children.
Antz was released to VHS and DIVX on February 9, 1999, and to DVD on March 23, 1999, becoming the first feature-length CGI-animated feature to be available on DVD. However, the DVD release used a 35mm print of the film to create the copies, rather than using the original files to encode the movie directly to video.
Review aggregate Rotten Tomatoes reports that 95% of critics have given the film a positive review based on 85 reviews, with an average score of 7.7/10. The site's critical consensus reads, "Featuring a stellar voice cast, technically dazzling animation, and loads of good humor, Antz should delight both children and adults." Metacritic gave the film an average score of 72/100 based on 26 reviews.
Roger Ebert praised the film, saying that it is "sharp and funny". The variety of themes, interest visuals, and voice acting were each aspects of the film that were praised. Ebert's partner, Gene Siskel, greatly enjoyed the film and preferred it over Pixar's Bug's Life. Siskel later ranked it No. 7 on his picks of the Best Films of 1998.
The film topped the box office in its opening weekend, earning $17,195,160 for a $7,021 average from 2,449 theaters. In its second weekend, the film held the top spot again, with a slippage of only 14% to $14.7 million for a $5,230 average and expanding to 2,318 sites. It held well also in its third weekend, slipping only 24% to $11.2 million and finishing in third place for a $3,863 average from 2,093 theaters. The film's widest release was 2,929 theaters, and closed on February 18, 1999. The film altogether picked up $90,757,863 domestically, almost recouping its $105 million budget, but failed to outgross the competition with A Bug's Life. The film picked up an additional $81 million overseas for a worldwide total of $171.8 million, making it a moderate box office success.
- This originally was also done by Steven Spielberg as the executive producer, but he was uncredited.
- This is Jeffrey Katzenberg's first project that is not from Disney.
- In July 2014, the film's distribution rights were purchased by DreamWorks Animation and transferred to 20th Century Fox.
- This is the first DreamWorks Animation releases two films in the same year, while the other film is The Prince of Egypt.
- This is the first DreamWorks Animation film to not feature any humans, followed by Shark Tale.
- This is first DreamWorks Animation's non-sequel/prequel film.
- This is the first feature film by DreamWorks Animation.
- This is the first DreamWorks Animation's computer animated film, followed by Shrek.
- This is first computer animated film by Pacific Data Images, followed by Shrek.
- This is the first DreamWorks Animation film that streamed on Netflix.
- This is the first DreamWorks Animation film to use profanity, followed by The Road to El Dorado and Shrek; as the word "cripple" is said once (referring to a handicapped person) and God's name is used in vain twice. This is another reason for the film's PG rating.